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CESAR OSCAR: a deletion of the categories Best Actress and Best Actress in a Supporting Role "... A

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Some of our social categorisations are as follows: when they work well and take for granted, we forget that they are primarily a product of human activity, a real building social, as demonstrated by Peter L. Berger and Thomas Luckmann in their time. It's so that our society tends to perpetuate itself and to specialize in a role which seeks to define sustainable categories that we avoid unnecessary re-examine continually in our daily lives. "Berger and Luckmann called this process" institutionalization ", understood as a" reciprocal typification of habitual actions. " If individuals who have created an institution there are still traces of their activity, the following generations see it as inherent in the nature of things. "

Ceremonies Cesar and Oscar - and more rankings justifying them - were well established and ever-present true categories that make us walk so that they appear to us as quite natural. They give rewards in that they assign, and everyone waits eagerly, rather than roles, but a distribution of roles for the least strange Actor / Actress, Best Actor for a Supporting Role / Best actress for a supporting role.

can imagine it would be extremely interesting to extend our awards to see who would, for example, the "best set" and why. However, without reaching the limits of this reasoning, we can already ask the question of why such a critical score on the sexual category "actor"? could moreover ask why do we not making no duets such as "Best Director / Best director, Best designer / decorator Best "? But no, the partition only affects the sexual acting. Each role. To believe that the trades of actor and actress would be almost different trades. They are enshrined in all cases the difference.

If that is the case, then it is to review our entire system of training actors, auditions, our daily look at. If this is not the case, then must appeal to the disappearance of these distinctions and how men and women compete in the same category "Best Actor" ... One small step towards recognition of women in a real world where male dominance can dress with rhinestones and sequins to win applause in front of all moved thereby contributing to express differences where it would make sense to remove them as a priority: the worlds of culture, small factories par excellence of our collective representations. Beyond even the symbolic meaning that it is, it is worth thinking about the importance of actually playing in the same category.

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CESAR'S BEST FRENCH FILM CAMPUS? The University, conspicuously absent from our social imaginary

So we are trying to implement a dynamic modernization of French universities, while we are about to reward during the ceremony of Caesar's finest in French cinema, it is clear that the film is the Campus Gender has always been missing from our movies.
is not here to lament or tomorrow artificially create a category dedicated to this style which is full of American cinema, but rather to highlight here that the imagination of our country - s it exists - has no social representation of the university in France on which to build.
In other words, we can state that our directors and our writers - except very recently Emmanuel Bourdieu's Poison Friends and Pudding or Cedric Klapisch - can not think of the university as a source of inspiration enough to produce compelling - as is the case every year across the Atlantic - abundant quantity of works ranging from the teen movie schoolboy at the most masterful masterpiece.

If we consider, as sociologists generally do, that the subjects which are built on fiction film and television in a given society say many of the dominant concerns of said company, then we can start thinking, hollow, considering that any country has symbolically for his higher education, its academics, its students, campus and moments of life that are attached to this crucial period for the training of individuals in the country by watching audiovisual works produced there.
winner to Mona Lisa Smile, Indiana Jones with the Laws of Attraction, to Meet Forrester Benjamin Gates, Dr. Jerry and Mister Love Will Hunting, enhancement of the university is omnipresent in American fiction as a setting and plot and recurrences with this well known: thus, the very access to a renowned university in itself often a social issue that we scripted, the university library there still appears as the locus of knowledge through excellence in teaching and research, finally, also enjoys social recognition which places regularly as one of last resort in a society that loses its memory or still looking for the potential of an unsolved equation or the meaning of a dead language ...


Just when it began to reform higher education in our country, without doubt we should be concerned that the main reservoir symbolic that we have to think about modernization comes mainly the United States. The cinema is the art of building par excellence. It helps us think our lives together and share our dreams and concerns. If in France, few filmmakers are "past" as such by the university - the royal road of the excellent training residing FEMIS - can we expect tomorrow writers inspired by the university that they originally came to help us imagine a university that looks like us?

If it has become trivial to state that our policies when they come from the Grandes Ecoles, often have some difficulty thinking of the social world that is theirs, just because they have not been trained in universities with the majority of the student population of France, then we can base the hope that French cinema continues him to invent, as has so often do, about life, about our lives, allowing us to issue - this wish can be formed - a few years, the Cesar for Best French Film Campus. This proposal will seem absurd or disturbing to many. This is normal. But take a moment to understand everything that bothers us when the installation actually apprehend and it almost the same movement in the road still to go until the University becomes a representation "natural" in our social imagination.

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CULTURE AT THE UNIVERSITY by Philippe Poirrier

Proceedings of reading ETHIS Emmanuel From culture to the university , Paris Armand Colin, 2010, 128 pages, 9.60 Euros.

Questioning the role of culture in the university might seem surprising, yet it is clear that public policies on culture, and universities have not always given the place she deserves this. This book, published in paperback "128" Armand Colin, is the edited version of a report submitted in October 2010 Valerie Pécresse, Minister of Higher Education and Research under the direction of Emmanuel Ethis, a sociologist of culture and chairman University of Avignon and Vaucluse countries.

This has mobilized an extensive bibliography, and above met, as facilitator of the Culture and University, many players from the worlds of culture and the academic community. The form of refund original 128 proposals aim to review and reinforce the role of culture in universities; 128 proposals that draw away from any theory, the prospects for actions to be implemented. They are gathered here under seven thematic chapters: practical and artistic and cultural productions at university heritage digitized digital culture and digital culture, cultural diversity, sociability and socialization in the university general education and social mobility of students, anchors and openings of the universities at the heart of their territory, information, dissemination and promotion of cultural events and production of universities; Attendance and statements of the university in the worlds of art, culture and media.

The stated objective is to strengthen the role of culture in French universities and install it permanently from the university in the worlds of culture. The idea is not new, and had had some realizations as a result of a deliberate policy driven to mid-1980. It is, again and again to convince the academic communities and stakeholders from the worlds of culture, even though the insecurity (social and cultural) of students progressing and that the culture of entertainment needed at the time of a mass culture that benefits from the digital revolution, as the new common culture. This book, easily accessible, will undoubtedly contribute to discussions of importance to our cultural life (1).

(1) See also freely downloadable, Culture at the University, U-Culture (s), 2006. http://mshdijon.u-bourgogne.fr/msh% ... University of Burgundy Philippe Poirrier