Friday, March 4, 2011

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CESAR OSCAR: a deletion of the categories Best Actress and Best Actress in a Supporting Role "... A

"There are still more unknown than the unknown soldier: his wife!"

Some of our social categorisations are as follows: when they work well and take for granted, we forget that they are primarily a product of human activity, a real building social, as demonstrated by Peter L. Berger and Thomas Luckmann in their time. It's so that our society tends to perpetuate itself and to specialize in a role which seeks to define sustainable categories that we avoid unnecessary re-examine continually in our daily lives. "Berger and Luckmann called this process" institutionalization ", understood as a" reciprocal typification of habitual actions. " If individuals who have created an institution there are still traces of their activity, the following generations see it as inherent in the nature of things. "

Ceremonies Cesar and Oscar - and more rankings justifying them - were well established and ever-present true categories that make us walk so that they appear to us as quite natural. They give rewards in that they assign, and everyone waits eagerly, rather than roles, but a distribution of roles for the least strange Actor / Actress, Best Actor for a Supporting Role / Best actress for a supporting role.

can imagine it would be extremely interesting to extend our awards to see who would, for example, the "best set" and why. However, without reaching the limits of this reasoning, we can already ask the question of why such a critical score on the sexual category "actor"? could moreover ask why do we not making no duets such as "Best Director / Best director, Best designer / decorator Best "? But no, the partition only affects the sexual acting. Each role. To believe that the trades of actor and actress would be almost different trades. They are enshrined in all cases the difference.

If that is the case, then it is to review our entire system of training actors, auditions, our daily look at. If this is not the case, then must appeal to the disappearance of these distinctions and how men and women compete in the same category "Best Actor" ... One small step towards recognition of women in a real world where male dominance can dress with rhinestones and sequins to win applause in front of all moved thereby contributing to express differences where it would make sense to remove them as a priority: the worlds of culture, small factories par excellence of our collective representations. Beyond even the symbolic meaning that it is, it is worth thinking about the importance of actually playing in the same category.

Saturday, February 26, 2011

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CESAR'S BEST FRENCH FILM CAMPUS? The University, conspicuously absent from our social imaginary

So we are trying to implement a dynamic modernization of French universities, while we are about to reward during the ceremony of Caesar's finest in French cinema, it is clear that the film is the Campus Gender has always been missing from our movies.
is not here to lament or tomorrow artificially create a category dedicated to this style which is full of American cinema, but rather to highlight here that the imagination of our country - s it exists - has no social representation of the university in France on which to build.
In other words, we can state that our directors and our writers - except very recently Emmanuel Bourdieu's Poison Friends and Pudding or Cedric Klapisch - can not think of the university as a source of inspiration enough to produce compelling - as is the case every year across the Atlantic - abundant quantity of works ranging from the teen movie schoolboy at the most masterful masterpiece.

If we consider, as sociologists generally do, that the subjects which are built on fiction film and television in a given society say many of the dominant concerns of said company, then we can start thinking, hollow, considering that any country has symbolically for his higher education, its academics, its students, campus and moments of life that are attached to this crucial period for the training of individuals in the country by watching audiovisual works produced there.
winner to Mona Lisa Smile, Indiana Jones with the Laws of Attraction, to Meet Forrester Benjamin Gates, Dr. Jerry and Mister Love Will Hunting, enhancement of the university is omnipresent in American fiction as a setting and plot and recurrences with this well known: thus, the very access to a renowned university in itself often a social issue that we scripted, the university library there still appears as the locus of knowledge through excellence in teaching and research, finally, also enjoys social recognition which places regularly as one of last resort in a society that loses its memory or still looking for the potential of an unsolved equation or the meaning of a dead language ...


Just when it began to reform higher education in our country, without doubt we should be concerned that the main reservoir symbolic that we have to think about modernization comes mainly the United States. The cinema is the art of building par excellence. It helps us think our lives together and share our dreams and concerns. If in France, few filmmakers are "past" as such by the university - the royal road of the excellent training residing FEMIS - can we expect tomorrow writers inspired by the university that they originally came to help us imagine a university that looks like us?

If it has become trivial to state that our policies when they come from the Grandes Ecoles, often have some difficulty thinking of the social world that is theirs, just because they have not been trained in universities with the majority of the student population of France, then we can base the hope that French cinema continues him to invent, as has so often do, about life, about our lives, allowing us to issue - this wish can be formed - a few years, the Cesar for Best French Film Campus. This proposal will seem absurd or disturbing to many. This is normal. But take a moment to understand everything that bothers us when the installation actually apprehend and it almost the same movement in the road still to go until the University becomes a representation "natural" in our social imagination.

Monday, February 21, 2011

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Thursday, February 10, 2011

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CULTURE AT THE UNIVERSITY by Philippe Poirrier

Proceedings of reading ETHIS Emmanuel From culture to the university , Paris Armand Colin, 2010, 128 pages, 9.60 Euros.

Questioning the role of culture in the university might seem surprising, yet it is clear that public policies on culture, and universities have not always given the place she deserves this. This book, published in paperback "128" Armand Colin, is the edited version of a report submitted in October 2010 Valerie Pécresse, Minister of Higher Education and Research under the direction of Emmanuel Ethis, a sociologist of culture and chairman University of Avignon and Vaucluse countries.

This has mobilized an extensive bibliography, and above met, as facilitator of the Culture and University, many players from the worlds of culture and the academic community. The form of refund original 128 proposals aim to review and reinforce the role of culture in universities; 128 proposals that draw away from any theory, the prospects for actions to be implemented. They are gathered here under seven thematic chapters: practical and artistic and cultural productions at university heritage digitized digital culture and digital culture, cultural diversity, sociability and socialization in the university general education and social mobility of students, anchors and openings of the universities at the heart of their territory, information, dissemination and promotion of cultural events and production of universities; Attendance and statements of the university in the worlds of art, culture and media.

The stated objective is to strengthen the role of culture in French universities and install it permanently from the university in the worlds of culture. The idea is not new, and had had some realizations as a result of a deliberate policy driven to mid-1980. It is, again and again to convince the academic communities and stakeholders from the worlds of culture, even though the insecurity (social and cultural) of students progressing and that the culture of entertainment needed at the time of a mass culture that benefits from the digital revolution, as the new common culture. This book, easily accessible, will undoubtedly contribute to discussions of importance to our cultural life (1).

(1) See also freely downloadable, Culture at the University, U-Culture (s), 2006. http://mshdijon.u-bourgogne.fr/msh% ... University of Burgundy Philippe Poirrier

Tuesday, February 1, 2011

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MUST SAVE THE MOVIES TO AUTHOR!

The French are never much went to the cinema in 2010. However, many "small" movies great, defended by the critics, are shunned by the public. problem of distribution? To read the survey Juliette Benabent published in No. 3184 of the magazine Telerama by clicking here , investigation in which I attempt to provide some Sociology can enrich the debate knowing that "the approach to go see a movie at a theater is paradoxical. This is both to the collective experience of a work, and distinguish themselves in how to receive it. Right now, the money generated is shared by emotion clearly outweighs the need for distinction. "

Saturday, January 29, 2011

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the University of Avignon, the cultural standard for ...

Fluoroscopy our institution, University of Avignon and Pays de Vaucluse , conducted by Philippe Jacques appeared in the daily Le Monde of January 12, 2011" Famous for its festival, the city popes had to develop a university culture where AgroSciences and would work in harmony "(Philippe Jacques, Special Envoy)

Thanks to all members of our university community who every day contribute to the recognition of our research of our training and our university.

Thursday, January 27, 2011

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THE SOCIAL NETWORK, a tiny world

Harvard University, 2003. In a bar, a law student decides to break up with her boyfriend because she said, there is a "asshole" only focused on himself and a world she did not feel part of it. Rather that to retain it, Mark Zuckerberg - the "asshole" - which happens to be him, computer science student, decides to take revenge. To this end, he developed a program that allows any student enrolled in Harvard's internal network to choose between photos of students each belonging to two different faculties of the university, found that most beautiful. Zuckerberg will of course benefit from - his initial goal - to downgrade his ex. Within hours, the program built from the dorm room, so successful that he manages to saturate and then to bug the campus network. On the lookout for the type of talent developed by Zuckerberg, two wealthy students, Winklevoss twins, will propose to the computer to develop a more sophisticated site to facilitate meetings on the campus of Harvard. But this initial order will evolve and transform in the spirit of Zukerberg. By observing the behavior of students at his university, by decoding what is being said in social interactions of each other, he decided to develop a site that would allow everyone to fill out a form with his description, photos, comments, its status, religious orientation, sexual or political, his career. It was February 2004, and The Facebook site appeared on the web. More than half the population of undergraduates at Harvard University was enrolled there. And in a few months after opening the universities of Stanford, Columbia and Yale, Facebook will spread in all universities of the United States and Canada to achieve global success that it is today .

Presented well, the true story of Facebook and its creators could not have been a chronicle of more to add the directory of biographies of "those who have succeeded in life." But director David Fincher and screenwriter Aaron Sorkin would be seized to make the campus a film that is the most complete and telling through film the process of creating the famous social network that becomes perceptible and intelligible precisely what springs from a campus film can tell. This film released in theaters in 2010 entitled The Social Network . The Catchline listed on the poster gives the tone: "You do not get 500 million you make some friends without enemies." This directly refers to the way Facebook allows us to build our social network on the canvas, challenging and very direct users and addicted to this site which, after all, are likely to be the primary audience for the film, the case, the student audience. But obviously, after seeing The Social Network could well imagine a Catchline other, perhaps less catchy a marketing perspective, but much more descriptive of what this archetype tells Film Campus: "there are ideas that can arise only in universities." Indeed, what we watch the film by David Fincher, is that the campus is an environment conducive to innovation, creativity and experimentation. Better we return to our own contemporary where an invention does not necessarily born in the laboratory of a university, but in the room of a student presented apparently asocial, but in fact very attentive to all those social interactions that he had to difficult to live in "real life". In reality, what makes The Social Network campus movie par excellence, it makes us aware that the true laboratory of Harvard is not the place labeled as such, armed with computer stations and test tubes, but the campus itself.

(From the forthcoming book in 2011: Movies campus, the university cinema by Emmanuel Ethis and Damien Malinas)

Tuesday, January 25, 2011

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PRODUCED THE BALL (C) TRICE ... a survey of Laura Elizabeth Bourdaud

Agnes Jaoui, Judith Godreche, Sophie Marceau, The Maïwenn Besco ... Unusually for a French director, their faces are well known as their name. Logic: before moving behind the camera, they occupied the houses of the actress. Survey of artists exploring various facets of cinema.

Her name is Julie, Sophie, Judith, Maïwenn, Isabelle or Geraldine ... She is almost 30, rather 40/50, or almost 60 years ... His face fills the screen, or is revealed behind the red curtain. And she plays the comedy. She is the daughter's friend, lover, mother, confidante, the enemy, the femme fatale. She never has the same identity. Yet each of us feels good to know. It is "our" actress. But sometimes it is not alone-ing a film actress. She also staged. This changes anything for us, spectators, she started directing? And for her? Will we have the feeling to know better? Is she going to surprise us, or we settle, feed us, giving us yet more material to cherish and dream with it? This actress-she follows the same creative work in another field? Or she undertakes the construction of a parallel artistic career from his own universe?
Ethis Emmanuel is a sociologist of cinema. He devotes his research to the reception of films, the study of public and sociology of actors and movie stars. According to him, "an actor going on behind the camera to direct, but often also for writing. This is not surprising. This is something logical for him to pass by others what he wants to express. For example, Agnes Jaoui has the same type of character in the film she wrote and in those of Alain Resnais, and more thorough. I also think Sophie Marceau in The Missing Deauville. This is an opportunity to go further in the expression of human complexity, a movie actor knows very well. "

In France, actresses who are also directors are a very small circle observed. Film professionals, me-dias, spectators ... scrutinize all the work of these women reveal each new film a piece for themselves. In 2010, the actress Geraldine Nakache was proud to say "art" to his resume. At 30, she wrote and directed All That Glitters, in collaboration with Hervé Mimran, and gathered more than a million spectators. 2010 also saw other actresses come in for the first time in the circle of directors: Valerie Donzelli (Queen of apples), Judith Godreche (All the girls cry). In each of these films, as director of All That Glitters, they held the lead role.
This is not always the case. Zabou Breitman says he does not enjoy playing in his own films and Nicole Garcia never appears in his achievements. As for Sophie Marceau, she first staged in a short film and her first movie (the two very-tobiographiques) which could be a women's doubles, Judith Godreche. But it Marceau plays the role of the debt-ve gone from Deauville, his last film as a director .. Despite the accumulation, the actress-director-ordinator made a clear distinction between the two businesses, explains Geraldine Nakache. "I really like the actress: I surrender against a director and is very enjoyable. Telling the stories of others I really like [...]. Write and stage a film is a different job, fuller, more "round". Leading actors remains the greatest pleasures for me. "She adds:" On the set of All that glitters is Hervé Mimran who directed me constantly. It was essential that I have laid eyes on me, if you lose yourself quickly and you stay focused on the game of your actors. "


The theater actress Isabelle Mergault began his directing career-ordinator five years ago. It was reward-posed in 2007 by the Cesar for best first film for I find you very beautiful. About Give and was released in October 2010, Isabelle Mergault says: "My job as a filmmaker, it's me. If there is rejection of the public, then I would say that I must do something else, because I have nothing to offer viewers than me. "In the films made by actors, two constants come . Their first feature film is often very personal, intimate, just like Forgive me Maïwenn Le Besco, or it is easier for a camel ... Valeria Bruni Tedeschi. Both have reconstituted their own family for the occasion. Another constant topic for the second movie. He speaks often of the film world, even squarely into acting. It jus-ment of the case or Maïwenn Valeria Bruni Tedeschi, but with Sophie Marceau respectively so named: The Young actresses, actress and disappeared from Deauville.
Emmanuel Ethis analysis: "The players who spend behind the camera will quickly talk about the film and thus increase their own look at cinema. It's a way to gain acceptance as a writer. To be in self-criticism, saying it does not take itself seriously. "Sociologist continues:" What will be interesting is to analyze the subject of their third film! The achievement is a journey: we talk about ourselves, and then the film world. Expectations of these women that they face these trials, as steps to take to be able to make movies. " Already, rising to the realization, we must find the pulse. Sometimes it comes from outside. It is the actor Xavier Gelin which blew the idea Zabou Breitman. Isabelle Mergault, she explains that the initiative comes from actor-director Michel Blanc, which she had submitted the scenario I find you very beautiful. He encouraged her: "But if, do not worry! Everyone can do it. What is hard is to write ... "Mergault Isabelle adds:" He was right. The hard part was done. At this moment, for example, I'm writing and I'm all alone. It's difficult. When I realized, finally it's easy, I'm like a fashion designer, there are lots of little hands to help me. "

s Always ccording Ethis Emmanuel, the strong presence of actresses in the ranks of French directors explained by the fact that "CiC encourage women to speak out, far more than other professions . It is an environment built under the auspices of tolerance, a place that is in the vanguard. And then the real movie stars are often women. The symbol of the Columbia Pictures studios, it's still a female star bran-diss a flame! "
For an actress, although she still does not act, the desire for achievement is often there. Aure Atika, which in 2011 will be on view from Skylab movie, Julie Delpy, explains on its website that she wrote and directed two short film-Trager, What's the point of voting Green? and love to "give themselves a backbone." She added: "Now I am given the duty and pleasure to pass along." But the scale is not always. Question of envy, circumstances. There are also actresses who realize their lives in a movie or two and then stick to their acting career already full. This is the case of a personality very known in France: Jeanne Moreau. During her career she has directed two films and a documentary. The first, light, evokes ... the world of cinema through three portraits of women. And in this film, Jeanne Moreau is one of the leading roles.

(This survey was conducted by Laura Elizabeth Bourdaud / she is back in full in the magazine Muze the first quarter 2011)

Friday, January 21, 2011

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Baldwin-Motion's Brawny 427 and 454 Camaros


Well known hot-rodder and tuner Joel “Mr. Motion” Rosen has teamed up DeNooyer Chevrolet’s Performance Division and Redline Motorsports to build and market a special line of 2011 Chevrolet Camaro coupes. The new MOTION 427 and 454 Camaros are offered in a variety of tunes ranging from 525HP to 800HP. Other upgrades include unique paint schemes and alloy wheels, interior enhancements and chassis improvements. Prices for the Baldwin-Motion Camaros start from around $80,000. More details and photos after the jump.

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Mercedes-Benz Design Study Blackbird all Tron-ed Out


Designers look for inspiration and ideas in a multitude of places. In animals, nature, history, the things around them, even in the sky or the sea. Sometimes we can see it, sometimes we don't. In this case, it's quite obvious what inspired Peter Vardai to design the Mercedes-Benz Blackbird concept study; and yes, we're talking about Disney's science fiction film , Tron: Legacy . Unfortunately, there's not much else we know about the study, but feel free to browse the rest of the photos in our gallery after the jump.

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M Sport Package Comes To The BMW X1


The X1 compact crossover is getting a lot of attention lately from BMW. Following the addition of the firm's new 2.0-liter turbo engine to the range, the Bavarian company officially announced the launch of an M Sport package for smallest member of the X family. The M Sport specification included suspension, exterior and interior components Specially Developed For the X1.

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Suzuki launches new version of its MR in Japan.

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The Japanese automaker Suzuki has recently announced the launch of the new version of MR in the Japanese market. This vehicle, which has been completely redesigned (the first five years of existence), currently includes a three-cylinder gasoline engine of 660 cc coupled to a continuously variable transmission.

The new model of the RM was built on an entirely new type of platform, which helped to extend the size of the vehicle. Indeed, the vehicle wheelbase is longer than 65 mm, compared to its predecessor.

Suzuki also took the opportunity to announce that the vehicle in question will have an audio system equipped with a touch screen on the top of the console.

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Mitsubishi has eliminated most of its U.S. model by 2014.

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Osamu Matsuko, president of the firm Mitsubishi Motors, has recently stated that the manufacturer intends to eliminate most of its U.S. model by 2014 as part of its business plan named "Jump." 13 This decision will affect mainly the Eclipse Eclipse Spyder, Endeavor crossover and the Galant sedan, which will be replaced by models produced at the Illinois firm. The Outlander and the Lancer sedan will form the basis for new models to replace the eliminated models by Mitsubishi Motors. According

Osamu Masuko, these changes will not affect U.S. sales. Instead, he predicts that this plan will increase sales and production, without specifying any targets. Also according to the president, the business plan "jump 13" will probably save the builder to increase the order of 90,000 units on the next three years.

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Edo Competition presents its version of the Porsche Panamera.

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The German tuning firm Edo Competition has recently introduced its latest vehicle. Called "Moby Dick", the meteor, which is none other than the famous Porsche Panamera manufacturer, has been customized to the inside to the outside, which gave a magnificent result.

Beginning with the exterior, Edo Competition has turned to the firm for Mansory body kit, complete with lowered side skirts, a new hood and a bumper completely redrawn. The 22-inch rims embellish the exterior of the vehicle.

However, the biggest changes experienced by the vehicle remains at the interior, especially the engine. Indeed, the bi-turbo V8 engine has been modified and now offers a 750 horsepower (200 horsepower). In terms of performance, the fireball can go from 0 to 100 in just 4 seconds to reach a top speed electronically limited to 340 km / h.

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General Motors plans to launch the Opel brand in Australia next year. La Dolce Vita

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In September of last year, Nick Reilly, serving as president at the manufacturer Opel, had suggested the probable introduction of this brand. It seems now that this is not a rumor because the automaker General Motors has recently announced the launch of the Opel brand in Australia next year.

advantage of the media platform that is the Auto Show in Detroit, Nick Reilly said that this launch proved be an important part of the development plan of Opel. Moreover, Australia appears to be a very good market for Opel since its inhabitants have a very strong affinity with vehicles of this brand.

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BYD Unveils S6DM "dual mode" hybrid Auto Show in Detroit.

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Chinese carmaker BYD marked its fourth consecutive appearance to show the Detroit Motor Show with the introduction of its newest hybrid vehicle, the S6DM (DM Dual Mode).

The hybrid, running on gasoline and electricity, based on the S6, a midsize SUV was unveiled to the public for the first time at the Shanghai Motor Show in 2009. Note that it was itself inspired by the Lexus RX.

BYD, which is widely supported by philanthropist Warren Buffett, says that this vehicle is the first dual-mode electric SUV. Under the hood of the fireball, we find a petrol engine of 2.0 liters with four-cylinder that is coupled with three electric motors.

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Gold and Diamonds 200hp, or the Fiat 500 C which was worth 666.000 dollars.

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For some people, lust has no limit or charge. The latest example is that of the Dolce Vita Gold and Diamonds 200hp, or the Fiat 500 C which was worth 666.000 dollars. A Chinese businessman has recently asked the Italian tuning firm Fenice Milano build him a single copy of the Fiat Abarth 500 C. The wealthy businessman wanted it based on the concept of "La Dolce Vita," which was unveiled in October last. According Fenice Milano, this vehicle will cost 666.000 dollars to be made.
You might wonder why the design of this car is too expensive. The answer to this question is that a large quantity of gold will be used on various parts of it, particularly at the bodywork, wheels or mirrors.

Monday, January 17, 2011

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The Corsa VXR Vauxhall available in a limited edition of 192 horses.

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To mark the launch of the newest version of the Corsa VXR, Vauxhall car manufacturer recently announced the introduction a limited series of this vehicle. Indeed, people who buy this version of the vehicle can enjoy an additional power supply kit and a special paint in terms of bodywork. The Corsa VXR
from the limited series that offers a Vauxhall Arden metallic blue color and is equipped with alloy wheels of 18 inches, tinted windows and Recaro seats. Regarding the other bonuses offered by this version of the Corsa VXR, you can find such a lowered sport suspension, a new braking system and an electronic stability program (ESP).

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Une réplique de la Rolls Royce Phantom construite à partir de la BMW 750i V12 E32.

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Since quite some time now, we note that several car fanatics set out to change their classic car to make it look like the car of their dreams. However, the majority of they just can not really pass outright or near the goal they had set. The latest failure to date in this category is the car that wants to be a replica of the Rolls Royce Phantom. Based on a BMW 750i E32 V12 dating from the late 80s, this monstrously ugly replica of the Rolls Royce Phantom had been sold on a site selling car polish. According to preliminary information gathered, it appears that the owner of this car would sell for $ 75.500 million.

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La BMW 750i volée lors du Salon de l’Automobile de Detroit finalement retrouvée.

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The BMW 750i xDrive

which was stolen at the last Motor Show in Detroit was recently named by the local police. This vehicle, which was worth about 95,000 dollars was found in an apartment complex near Glendale Street in the west of Detroit. According to the police office in Detroit, it would seem that the son related to electric tracking system have been cut by thieves. That would have forced the robbers to abandon the vehicle would likely be all the attention media had drawn this matter.
For now, authorities have seized the vehicle in question because of the ongoing investigation. Note that this BMW 750i xDrive formed out of the vehicle fleet that was used in the transportation of official car manufacturer BMW in press conferences surrounding the event.

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Mercedes-Benz SLS AMG GT3 Takes Third Place in its First 24H Race


Mercedes-Benz completed the development and testing phase of its SLS AMG GT3 racecar last week by taking part in the Abu Dhabi 24-hour endurance race (January 13 to 15). All three participating teams managed to finish the race, with the number 7 Black Falcon vehicle driven by Thomas Jager, Jan Seyffarth, Kenneth Heyer, and Sean Paul Breslin claiming third place.

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Pagani Teases the Exterior of its Upcoming C9 Supercar


For The Third Week in a row, Pagani is teasing its upcoming C9 supercar. Compared to the previous videos, the literally dark atmosphere of the clip makes it harder for the viewer to discern the details of the curvaceous body, including the tail lights, exhaust tips and front bumper. An added bonus is a clearer shot of the steering wheel and instrument panel. Hit the jump to watch the teaser and screenshots.

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Limited Edition Ariel Atom Tuned by Mugen Packs 270 Horsepower


At the 2011 Autosport International Show in Birmingham, UK, Ariel unveiled the latest iteration of its “no screen, no roof, no doors” Atom, the Mugen -flavored limited edition it first hinted at back in December. Only ten units will be built, each featuring a special livery with a red chassis, white bodywork and red graphics showing the number of the car, to mark 10 years of production and 1,000 Atoms manufactured.

The highlight of the bare-essentials sports car is a Mugen-tuned 2.0-liter Honda K20Z naturally aspirated engine, delivering an impressive 270HP at 8,600 rpm and 255 Nm (188 lb-ft) of torque at 6,000 rpm.