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Statue of Verdun in 1931 made by the sculptor Varenne

The statue crowns the Verdun pediment east (right) of the facade of the Gare de l'Est. This facade was built in the late 1920s, two years after the end of the First World War. It is the mirror image of west pediment (left) built in the mid-nineteenth century.
After the war of 14-18, the Gare de l'Est refers to all the French point of departure to the front of hairy. It becomes a place of remembrance of the Great War. Verdun, here represented by a helmeted woman bearing sword and shield bearing the image of the city, symbolizes the homeland defense against the German offensive.

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Water towers in reinforced concrete shells of Belleville (1919, rue du Telegraph)

After War World water towers were built on the tanks of Montmartre and Belleville.

reservoirs and aqueducts that feed them have been built in the second half of the nineteenth century. The reservoir of Belleville and its Aqueduct, one of the Dhuis are built during the Second Empire (1851-1870). Placed on the highest hill in Paris, these areas of water storage for conducting water under pressure at all Parisians.

From the twentieth century, buildings rise on the hills beyond and the altitude reservoirs. To bring the water to higher floors of Paris, in 1919 we built water towers of Belleville in 1927 and one of Montmartre.

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Reinforced concrete wall covered with bricks of the popular hotel (1910, rue de Charonne)

Before the First World War, cheap accommodation is funded primarily by wealthy individuals. Ms. Lebaudy, for example, founded the Group of workers' houses and built including the popular Hotel in the Rue de Charonne by architects and Labussiere Longerey. An architecture of housing invented. Reinforced concrete and brick are widely used.

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angle Belle Epoque building in pan with rounded dome (Herbinet, 1902, rue Vavin)

The appearance of the lift and use of concrete in buildings from the end nineteenth century transformed the former maids' rooms on floors bourgeois.

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headquarters of the union of the grocery (1901, rue du Renard)

is the nineteenth emerges to supply non-specialized stores. They're called grocery stores, grocers because during the ancien regime were not selling as spices, this trade was not profitable enough, but also candles and some foodstuffs.

In the second half of the twentieth century, with the development of supermarkets in food (the first store opened in 1859 Felix Potin Boulevard Sebastopol), the profession is weakened and organized a union. For its headquarters, the union chooses the grocery in 1901, two architects, Edward and Raymond Bauhin Barbaud and ornamental Jules Rispoli, who build a facade to fashion new art.

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The Harmony of Discord triumphant Récipon Georges (1901)

The Quadriga overlooks the southeast corner (Seine side) of the facade of the Grand Palais. An allegory of Harmony driving a chariot without a hitch. Driven by its momentum, it pushes an allegory of Discord. The quadriga Récipon Announces radiant era.
The Grand Palais was built for the Universal Exhibition of 1900. The Expo of 1900 celebrates the technical advances and shows absolute confidence in progress that should bring joy and happiness to all mankind. In 1914, the Great War shattered this optimism and the Grand Palace "dedicated to the glory of French art" becomes a military hospital.

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statue of a woman made by Alexander Dupuy for the building of 16, rue d'Abbeville (1899).

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In the late nineteenth-century naked women displayed on the facades of stately buildings in Paris. That's when the show becomes undressing women public. The "strip" is spreading in the 1890s in the Parisian cabarets like the Moulin Rouge.

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sandstone frieze showing the dates of construction of the Colonial School framing a horseshoe arch (Adolphe Yvon, 1896, rue Auguste Comte)

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The "Colo" is created by the Third Republic to train professionals the colonial administration.

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front of a shop selling ceramics (1889, rue Paradis)

The firm Boulenger, born in 1804 in Choisy-le-Roi, prosperous and knows his peak in the late nineteenth century. The colorful ceramics is in fashion in the century. It is used to decorate the great monuments (the Opera Garnier, the Grand Palais ,...), department stores (the Samaritan) or to cover in reinforced concrete buildings (workshop Arfidson).
In 1900, the City of Paris appealed to the firm Boulenger to cover the walls of underground stations of the subway tile ceramic white.

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Old Little Belt line occupied by a shared garden (Rue Belliard)

Here a train station became a garden. Little Belt that encircles Paris is arranged during the Second Empire (1850-1870). It links the railway stations all located on the outskirts of the city (London, by contrast, stations were built in the center).
travelers continue to climb in the cars of the Little Belt in the inter-war with the launch of the PC bus. As for freight traffic, it is removed later, in 1992.
Today, the banks of the railway track are occupied by the Garden Creek. This garden is in his thirties who shared gardens have grown in the fallow areas in Paris since 2001. These are gardens maintained by residents of a neighborhood.

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Portuguese Jewish cemetery in the eighteenth century courtyard of a building on Avenue de Flandre

The Portuguese Jewish community in 1780 obtained the right to buy land for development as a cemetery. The land is then outside now in Paris, close to the barrier for granting soon materialized through the wall of the farmers general built from 1784 to 1791.

In the late eighteenth century, the dead buried in the urban area are moved outside speakers or hidden in the catacombs (like bones from the cemetery Innocent). It is the exile of the dead.

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copy of Venus Callipyge Francis Barrois (1686) A

Venus callipyge ('beautiful buttocks') raises his coat to contemplate his buttocks. The original statue, representing a nude Venus, a copy of an ancient Roman statue, is performed by François Barois in 1686. Under Louis XV (1715-1774) is added a coat covering the buttocks of the callipyge and a copy of the Venus dress is made and presented to the public in a pond in the Tuileries Gardens in 1747.
A seagull landed on the left arm of Venus. Many gulls leave the shores and wintering in Paris where they are found along the Seine or near bodies of water in the parks.

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Bas-relief of the Porte Saint-Denis representing the surrender of Maastricht Anguier sculpted by Michel (1673)

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With the triumphal arch of the Porte Saint-Denis, Louis XIV staged submission of Paris by the absolute ruler. Since the fourteenth, it was through the gate of St. Denis of Paris enclosure that the kings of France made their entry into the capital. The monarch met there the provost of the merchants who entrusted him with the keys to the city: City inducted its king.

In the 1670s, Louis XIV destroyed the wall defending Paris. Instead of the Porte Saint-Denis, he raised a triumphal arch commemorating his victory over the city of the English Netherlands, Maastricht. The Sun King in Paris takes its defense and built a new monument that represents a city to its knees.

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Tympanum door of a Gothic mansion of the fourteenth century (rue des Archives)

The mansion is the fortified castle in Paris with Olivier de Clisson, commander of the Hundred Years War, conflict between France and England. This leader of men who lost an eye in battle is called the "blind". Also known as the "Butcher" did not have a reputation for leniency.

In 1370, the warlord changed sides to serve France. Charles V, king policy, offered him the palace to thank him and settle in Paris.

On the tympanum of the door of his mansion, Clisson shall include the arms of his family, a lion standing.

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Bas-relief of the former St. Agnes Chapel today placed at the head of the church of Saint-Eustache (1213)

The origin of the Church of St. Eustache is the fresh fish at Les Halles in Paris in the thirteenth century.

Party Channel ports in the late afternoon, the convoy of the lugger was traveling at night to reach Paris in the early morning. Up to two hundred wagons, called balloons of the tide, leading to the Markets after taking the current suburb and street Poissonniere.
On each basket of fish entering Paris, Jean Alais, who had lent money to the king, had won the right to charge a penny. No doubt thanks in part to the tax, he built, where fishmongers arrived at Les Halles, the Chapel of St. Agnes which is depicted in a fish freshly caught.
is the site of this chapel that Saint Eustache church was built from the sixteenth century.